Billie Eilish dances in the street and dodges traffic while directing herself in music video for NDA

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    Billie Eilish dances in the street and dodges traffic while directing herself in the new music video for NDA off her upcoming album Happier Than Ever

    Billie Eilish dances in the street and dodges traffic while even directing herself in the music video for her new single NDA.

    The song is the fifth single from her second studio album Happier Than Ever, which will be released on July 30.

    The 19-year-old singer shows off her blonde hair with an all-black outfit as she walks down a dark road at night.

    Video: Billie Eilish dances in the street and dodges traffic while even directing herself in the music video for her new single NDA

    Video: Billie Eilish dances in the street and dodges traffic while even directing herself in the music video for her new single NDA

    Blonde Billie: The 19-year-old singer shows off her blonde hair with an all-black outfit as she walks down a dark road at night

    Blonde Billie: The 19-year-old singer shows off her blonde hair with an all-black outfit as she walks down a dark road at night

    The video begins with a shot of a car’s tire skidding on a road before cutting to Eilish walking down the dark and desolate road alone.

    She sings, ‘Did you think I’d show up in a limousine?/No I had to save my money for security/Got a stalker walking up and down the street/Says he’s Satan and he’d like to meet.’

    Eilish continues that she ‘bought a secret house when I was 17,’ the year after her breakthrough debut album When We Fall Asleep Where Do We Go? was released.

    Alone: The video begins with a shot of a car's tire skidding on a road before cutting to Eilish walking down the dark and desolate road alone

    Alone: The video begins with a shot of a car’s tire skidding on a road before cutting to Eilish walking down the dark and desolate road alone

    Secret house: Eilish continues that she 'bought a secret house when I was 17,' the year after her breakthrough debut album When We Fall Asleep Where Do We Go? was released

    Secret house: Eilish continues that she ‘bought a secret house when I was 17,’ the year after her breakthrough debut album When We Fall Asleep Where Do We Go? was released

    She added that she, ‘hasn’t had a party since I got the keys/Had a pretty boy over but he couldn’t stay/On his way out made him sign an NDA.’

    The video cuts with quick close-up shots of the singer with her blonde hair before going back to her in the street, when black shadowy figures appear behind her.

    She adds that, ‘Once was good enough,’ seemingly referring to the ‘pretty boy,’ adding she made him sign an NDA (non-disclosure agreement), ’cause I don’t want him having s**t to say.’

    Blonde: The video cuts with quick close-up shots of the singer with her blonde hair before going back to her in the street, when black shadowy figures appear behind her

    Blonde: The video cuts with quick close-up shots of the singer with her blonde hair before going back to her in the street, when black shadowy figures appear behind her

    She sings, ‘You couldn’t save me but you can’t let me go,’ while her face and body is lit up by the headlights of numerous oncoming cars driving around her as she walks the road’s center line. 

    The cars are all gone as she continues into the next verse, singing about how she can ‘barely go outside’ and she thinks she hates it here.

    ‘Maybe I should think about a new career/Somewhere in Kauai where I can disappear,’ Eilish sings. 

    Cars: She sings, 'You couldn't save me but you can't let me go,' while her face and body is lit up by the headlights of numerous oncoming cars driving around her as she walks the road's center line

    Cars: She sings, ‘You couldn’t save me but you can’t let me go,’ while her face and body is lit up by the headlights of numerous oncoming cars driving around her as she walks the road’s center line

    She sings about not changing her number and making him, ‘shut his mouth’ adding, ‘I thought about my future but I want it now.’

    She falls to the road singing, ‘You couldn’t save me but you can’t let me go,’ while cars zoom past her again.

    Cars start circling around her as she sings, ‘Did I take it too far?/You hit me so hard I saw stars/Think I took it too far when I sold you my heart/How’d it get so dark/I saw stars,’ as the song comes to an end. 

    Number: She sings, 'You couldn't save me but you can't let me go,' while her face and body is lit up by the headlights of numerous oncoming cars driving around her as she walks the road's center line

    Number: She sings, ‘You couldn’t save me but you can’t let me go,’ while her face and body is lit up by the headlights of numerous oncoming cars driving around her as she walks the road’s center line

    Circling: Cars start circling around her as she sings, 'Did I take it too far?/You hit me so hard I saw stars/Think I took it too far when I sold you my heart/How'd it get so dark/I saw stars,' as the song comes to an end

    Circling: Cars start circling around her as she sings, ‘Did I take it too far?/You hit me so hard I saw stars/Think I took it too far when I sold you my heart/How’d it get so dark/I saw stars,’ as the song comes to an end

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